The film without the cuts. And the book itself.
A lonely orphan is seized among the graves by an escaped convict who demands food and a file — and swears him to secrecy.

Pip / Philip Pirrip
A marsh-country orphan whose wish to become a gentleman teaches him shame before it teaches him gratitude.

The marshes
Out on this flat wet emptiness a terrified boy meets the man who will shape his whole life.
A child names himself, and a lifelong identity begins with a mispronounced compromise.
Read →Calling Myself Pip
My father’s family name being Pirrip, and my Christian name Philip, my infant tongue could make of both names nothing longer or more explicit than Pip. So, I called myself Pip, and came to be called Pip.
Pip names himself, and that small fact quietly sets up everything to come. He cannot manage the full weight of his father's name, so he shortens it to something a baby's mouth can handle, and the shortened version sticks because he says it first. This is a boy defining who he is before anyone else gets the chance, which is fitting for a book about a man trying to make himself into someone grander than his beginnings. The self he starts with is a leftover, whatever was easy to say.

The Convict on the Marshes
A lonely orphan is seized among the graves by an escaped convict who demands food and a file — and swears him to secrecy.

The file
A tool Pip steals from Joe to free a convict, and the start of a debt he cannot yet see.

Joe Gargery
A gentle blacksmith whose strength is most visible when he refuses to use it for pride.
Great Expectations
The cast, locations, objects of note, core concepts, and selected passages in the Author’s Pen - at your own pace.
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