
Passage
The Cudgel of War
War and Peace, Leo Tolstoy
When war ignores every rule, can civilized strategy survive a people's fury?
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The French Revolution and the Napoleonic wars as the great novels lived them: the Terror and the guillotine in A Tale of Two Cities, Austerlitz and Borodino in War and Peace, Waterloo in Vanity Fair. History seen by the people caught in it.

Passage
War and Peace, Leo Tolstoy
When war ignores every rule, can civilized strategy survive a people's fury?
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Object
A Tale of Two Cities, Charles Dickens
A prisoner's secret account, buried in the Bastille, returns to condemn the man he loves.
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Passage
Vanity Fair, William Makepeace Thackeray
In the battle's decisive instant, the invincible finally break, and everything changes.
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Place
The Count of Monte Cristo, Alexandre Dumas
Inside the royal palace, Edmond's ruin becomes useful to men guarding their own power.
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Passage
The Red and the Black, Stendhal
A hidden devotion threatens Julien's future just when reputation is all he owns.
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Character
Les Misérables, Victor Hugo
A father known mostly through absence gives Marius a politics of memory.
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Passage
The Brothers Karamazov, Fyodor Dostoyevsky
A servant coolly argues Russia should have welcomed conquest to escape its own stupidity.
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Passage
War and Peace, Leo Tolstoy
Pierre is transfixed as beauty and slaughter merge into one unbearable revelation.
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Object
A Tale of Two Cities, Charles Dickens
Two men swap coats, and one of them walks to the guillotine in the other's name.
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Passage
Vanity Fair, William Makepeace Thackeray
With escape gone, Jos's panic deepens into a night of mounting terror.
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Character
The Count of Monte Cristo, Alexandre Dumas
The absent emperor whose name turns Edmond’s errand into political danger.
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Passage
The Red and the Black, Stendhal
Julien's worship of Napoleon turns Paris itself into a test of faith.
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Place
Les Misérables, Victor Hugo
One night among the dead, a thief's robbery gets remembered as a rescue.
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Passage
War and Peace, Leo Tolstoy
As Moscow falls, Pierre's grand mission curdles into a feverish fantasy of martyrdom.
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Object
A Tale of Two Cities, Charles Dickens
One prison plea drags Darnay back to the name he thought he had buried.
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Passage
Vanity Fair, William Makepeace Thackeray
As Europe panics over Napoleon, one family's security collapses into public disgrace.
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Object
The Count of Monte Cristo, Alexandre Dumas
A few written lines turn private jealousy into a man's arrest and ruin.
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Object
The Red and the Black, Stendhal
Old accounts of Napoleon's battles feed a poor boy's dream of glory.
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Passage
Les Misérables, Victor Hugo
A dead father's command binds Marius to honor a stranger he may despise.
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Passage
War and Peace, Leo Tolstoy
After terror and captivity, Pierre can barely believe he is safe again.
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Object
A Tale of Two Cities, Charles Dickens
A crowd grinds an edge onto its weapons while the prisons run with blood.
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Passage
Vanity Fair, William Makepeace Thackeray
As empires gamble, can Amelia's fragile happiness survive history's indifferent violence?
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Place
The Count of Monte Cristo, Alexandre Dumas
A sailor keeps a promise at Elba, and it becomes the charge that destroys him.
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Object
The Red and the Black, Stendhal
The book that teaches a poor boy to want everything he cannot have.
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Passage
Les Misérables, Victor Hugo
Under a peaceful sky, war's indifference makes human suffering feel terrifyingly small.
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Passage
War and Peace, Leo Tolstoy
As Moscow empties in panic, Natásha is caught between flight and memory.
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Object
A Tale of Two Cities, Charles Dickens
A killing machine that turns a promise of justice into daily slaughter.
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Passage
Vanity Fair, William Makepeace Thackeray
Rebecca shocks polite society by admitting revenge feels natural, not sinful.
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Character
The Count of Monte Cristo, Alexandre Dumas
A courtier in the anxious machinery around Napoleon’s return.
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Object
The Red and the Black, Stendhal
The hero he worships is the one thing he can never be caught admiring.
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